Joe has always been a nerd. In his teens, he hid it. In his 20s, he owned it. Now, in his 30s, he’s started to sense something: a great disturbance in the fandom… And when Joe finds himself alone, sorting through his old things, he finds an old video tape… and something incredible starts to…
When Reece is roughly accosted by the police, his teacher, Gillian, doesn’t intervene. Now he wants her to understand his pain. My Voice Was Heard But It Was Ignored is an urgent interrogation of racial identity, written by Nana-Kofi Kufuor.
We invite researchers and practitioners to ‘More than a Launch’ of the recently published Routledge Companion to Audiences and the Performing Arts. Published in 2022, the Companion brings together 60 authors across 46 chapters to create a truly multi-dimensional exploration of the inter-relationships between audiences and the performing arts. ‘More than a Launch’ will bring…
How do we recognise “great” acting – how do we record that experience? How do we evaluate the legendary actors on the 19th and early 20th centuries – and does it matter to us today?
The paths of two strangers collide and explode into a forbidden romance that lasts all summer long. But when Autumn arrives, their paths divulge.
Does contemporary cultural policy have an obligation to people not yet born? The interests of future generations are accepted as a given in environmental policy, though there are divisions as to what weight should be given to their well-being relative to those currently living. Cultural policy also faces that question, but with added complications: which arts genres and practices warrant deliberate policies of preservation, and which are best left to whichever path arises from the private sector?
A turbulent night of theatre and cabaret, in search of identity. Drawing on songs and texts from German and English authors, Wiebke speaks about being pulled between two cultures, curious encounters with alien traditions, and the deep longing for her childhood paradise
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You believe him cos he wraps all the painful stuff in feathers and flowers. Makes it all safe and cosy. You can’t feel the broken glass inside.
“Hagit Yakira and her company don’t only dance, they live and take the audience with them.”
How do you start a revolution? How do you stop one?
The nativity – One of the most recognised stories in the world. But what happened to the Three Kings?
“Away to face the day that begins thy slavery.” – Hecuba in Women of Troy In a world where forced displacement is a global issue Euripides’ play has never seemed more relevant.
‘If you’re going to play, you have to play properly…’ Everyone creates their own coping strategies, their own rules for living. But what happens when an extended family gathers in the kitchen for a traditional Christmas and they follow these rules rigidly?
Fall in love. Have an affair. Threaten a friend. Listen to the voices in your head: In ‘the Structural Integrity of a Peach’ a brash Hunter struggles to voice new found emotions
Back for their third consecutive year, PCI Society present a new pantomime, which promises to be bigger and better than ever!
‘There’s always room for jokes, there’s always room for boobs, that’s a given, but what else is there room for?’ Lucy Kirkwood’s farcical comedy is hilarious, yet disturbing look at the cut-throat media world exposing power games and privacy in the age of Photoshop.
Irvine Welsh’s seminal Trainspotting follows a motely group of heroin-addicts as they navigate the bedsits, bars and drug-dens that populate Edinburgh’s underbelly. This interactive experience will explore their dark humour and fearless honesty, as their seemingly dystopian world becomes your own.